Through the very symbolism of popular culture that molded, defined an

游客2025-02-22 18

问题          Through the very symbolism of popular culture that molded, defined and
   contained women in their role as the subservient half of society, the artist
   Alexis Hunter used the techniques of advertising to subvert and question these
Line    hitherto accepted norms. Full of irony and piquant wit, her art centered on
(5)    subverting the male-dominated atmosphere now all but vanished in the visual
   arts-a fact evidenced by the current prominence of fellow feminist Judy
   Chicago-and critics rejected this early work for fear of its inner suppressed
   violence. In the early 1980s Hunter withdrew, like many of her
   contemporaries, from such an overtly political forum, partly due to doubts about
(10)    the efficacy of didactic political art to execute change outside the liberal
   chattering classes, and partly because of her awakening interest in psychology
   and psychoanalysis and the desire for greater self-expression. In a decade where
   it seemed possible to begin to take for granted certain social freedoms for
   women, it became more important to examine deeper, more irrational fears. In
(15)    abandoning the project of defining women’s identities for male audiences, the
   aim of new feminist art suddenly became the production of a concept of women
   that women themselves might consume. [br] If Hunter’s artistic work were to return to its earlier political forum, assessments of it would be likely to contain which of the following?

选项 A、An evaluation that accords high status to her work
B、Acknowledgement of her political acumen but dismissal of her subject matter as contentious
C、Agreements with assessments made prior to the 1980’s but acknowledgments of the evolution in her art work
D、Placement of her among the foremost artists of the pre-1980’s
E、A reclassification of her work as psychoanalytical rather than political

答案 A

解析

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