首页
登录
职称英语
We can engage ourselves with music as a composer, performer, or listener. As
We can engage ourselves with music as a composer, performer, or listener. As
游客
2025-01-11
16
管理
问题
We can engage ourselves with music as a composer, performer, or listener. As a listener, we respond to【C1】______of receptivity. We may be very casual about the way we hear music, paying almost no attention to it. 【C2】______, for example, is not meant to be listened to intently. We have all used music as background sound to create 【C3】______ for our own quiet thought. On the other hand, especially when we are on the road, an "easy" listening station can create【C4】______, and we may deliberately turn off the music, so as to【C5】______.
There are other times when music is【C6】______, and we give it our full attention. This could be in a church, at a special event, or【C7】______. But how are we supposed to listen to a piece of music? There are different ways to【C8】______. Some people let the sounds wash over them like a sonic bath, 【C9】______. This is the sensuous level. Other listeners respond on a【C10】______level, listening to the sounds and absorbing various aspects of the music as they unfold. They listen for musical events and【C11】______to form an expressive composition. The first level of attending to music is【C12】______: the second, analytical. The perceptive level 【C13】______. Ideally, we learn to listen more perceptively in order to 【C14】______. Perceptive listening allows us to enjoy the music more fully by revealing【C15】______.
Listening to classical music can often be lighthearted and easygoing. This is especially true when a symphony orchestra is【C16】______. At other times, listening to concert music, or even folk music can be 【C17】______. This is particularly the case if we want to【C18】______in the music as they occur. The ultimate experience is being so【C19】______that we lose ourselves in it. Time may appear to stop, and【C20】______. [br] 【C6】
We can engage ourselves with music as a composer, performer, or listener. As a listener, we respond to music with different levels of receptivity. We may be very casual about the way we hear music, paying almost no attention to it. Elevator or telephone music, for example, is not meant to be listened to intently. We have all used music as background sound to create a pleasant atmosphere for our own quiet thought. On the other hand, especially when we are on the road, an "easy" listening station can create a dreamlike haze, and we may deliberately turn off the music, so as to concentrate on the driving.
There are other times when music is the center of our focus, and we give it our full attention. This could be in a church, at a special event, or at an orchestra concert. Rut how are we supposed to listen to a piece of music? There are different ways to experience the melody. Some people let the sounds wash over them like a sonic bath, an emotional flood. This is the sensuous level. Other listeners respond on a perceptive or analytical level, listening to the sounds and absorbing various aspects of the music as they unfold. They listen for musical events and how they accumulate to form an expressive composition. The first level of attending to music is purely emotive: the second, analytical. The perceptive level raises our awareness . Ideally, we learn to listen more perceptively in order to increase the emotional impact. Perceptive listening allows us to enjoy the music more fully by revealing the expressive power of the composition .
Listening to classical music can often be lighthearted and easygoing. This is especially true when a symphony orchestra is performing out-of-doors. At other times, listening to concert music, or even folk music can be serious and intense. This is particularly the case if we want to comprehend and appreciate all the events in the music as they occur. The ultimate experience is being so caught up in the music that we lose ourselves in it. Time may appear to stop, and our spirit is transformed.
选项
答案
the center of our focus
解析
转载请注明原文地址:https://www.tihaiku.com/zcyy/3908162.html
相关试题推荐
IsraelandPalestinehadnotbeenengagedindirecttalkswitheachothersince
[originaltext]Wemayengageourselveswithmusicasacreator,thatisaco
Theearthisourhome.Wemusttakecareofit,forourselvesandforthene
Theearthisourhome.Wemusttakecareofit,forourselvesandforthene
Theearthisourhome.Wemusttakecareofit,forourselvesandforthene
Theearthisourhome.Wemusttakecareofit,forourselvesandforthene
Thereisevidencetobelievethatgamblinginmanyformshasbeenengagedin
Thereisevidencetobelievethatgamblinginmanyformshasbeenengagedin
Peopleareengagedineducationfrominfancyon.Education,then,isaveryb
Wecanengageourselveswithmusicasacomposer,performer,orlistener.As
随机试题
THEHISTORYOFCOMMUNICATIONTECHNOLOGY1Communicationtechnologyi
当碳化深度平均值与实测钢筋保护层厚度平均值的比值≥2时,混凝土碳化深度评定标度为
下列属于资产证券化业务管理人职责的是()。 ①对相关交易主体和基础资产进行
下列不属于产后2小时内在产房内急需观察的内容是A.子宫收缩 B.宫底高度 C
部门预算的基本含义是()。A.由财政部门编制 B.部门是预算编制的基础
单元体处于纯剪应力状态,其主应力特点为: A.σ1=σ2>0,σ3=0
英国在北美最早的殖民地是()A.马萨诸塞 B.纽约 C.弗吉尼亚 D.马
当前,某银行贷款余额的50%为房地产行业贷款,利润也有超过50%来自该类型贷款,
患者胸闷隐痛,时作时止,心悸气短,倦怠懒言,头晕,失眠多梦。舌红少苔,脉弱而细数
工程质量事故的责任处罚,要依据()和有关法律法规的规定。A.第三方机构对事故的调
最新回复
(
0
)