首页
登录
职称英语
[originaltext] I have stage fright. I’ve always had stage fright, and not ju
[originaltext] I have stage fright. I’ve always had stage fright, and not ju
游客
2024-04-07
70
管理
问题
I have stage fright. I’ve always had stage fright, and not just a little bit—it’s a big bit. And it didn’t even matter until I was 27. That’s when I started writing songs, and even then I only played them for myself. Just knowing my roommates were in the same house made me uncomfortable.
But after a couple of years, just writing songs wasn’t enough. I had all these stories and ideas, and I wanted to share them with people, but physiologically, I couldn’t do it. I had this irrational fear. [16]But the more I wrote, and the more I practiced, the more I wanted to perform. I knew I had to get past this nervousness.
[17]And that’s when I had inspiration. And I remember it really well, because I don’t have a lot of inspiration. All I had to do was write a song that exploits my nervousness. That only seems authentic when I have stage fright, and the more nervous I was, the better the song would be. Easy. So I started writing a song about having stage fright. First, admitting my problem of fright, the physical performances, how I would feel, how the listener might feel. And then accounting for things like my shaky voice, and I knew I would be singing higher than normal, because I was nervous. By having a song that explained what was happening to me, while it was happening, that gave the audience permission to think about it. They didn’t have to feel bad for me because I was nervous, they could experience that with me, and we were all one big happy, nervous, uncomfortable family.
By thinking about my audience, by embracing and exploiting my problem, I was able to take some thing that was blocking my progress, and turn it into something that was essential for my success. [18]An having the stage fright song let me get past that biggest issue right in the beginning of a performance. And then I could move on, and play the rest of my songs with just a little bit more ease. And eventually, over time, I didn’t have to play the stage fright song at all. Except for when I was really nervous, like now.
16. What did the speaker realize when he wanted to sing on the stage?
17. What does the speaker’s inspiration refer to?
18. What helped the speaker overcome his problem?
选项
A、His family’s support.
B、His friends’ praise.
C、The stage fright song.
D、Audience’s tolerance.
答案
C
解析
说话人谈到了这首怯场歌帮他解决了开场表演最大的障碍,因此C“这首怯场歌”正确。
转载请注明原文地址:https://www.tihaiku.com/zcyy/3544107.html
相关试题推荐
[originaltext]W:[19]Therewillbemoreplasticthanfishintheworld’soceans
[originaltext]W:[19]Therewillbemoreplasticthanfishintheworld’soceans
[originaltext]W:[19]Therewillbemoreplasticthanfishintheworld’soceans
[originaltext]Ihavestagefright.I’vealwayshadstagefright,andnotju
[originaltext]Isitpossibletopersuademankindtolivewithoutwar?Wari
[originaltext]Isitpossibletopersuademankindtolivewithoutwar?Wari
[originaltext]Isitpossibletopersuademankindtolivewithoutwar?Wari
[originaltext]Undernormalconditionstheactofcommunicationrequiresthe
[originaltext]W:Hey,Sam![5]YoushouldtakealookatthisarticleaboutCana
[originaltext]M:MathDepartment,DoctorWebsterspeaking.W:Hello,Prof.Webs
随机试题
Transportationandcommunicationnetworksbringpeopletogether.Yetsometim
某花店只有从花农那里购得低于正常价格的花,才能以低于市场的价格卖花而获利。除非是
下列设备中一般不用于肌力训练的器械是A.墙拉力器 B.股四头肌训练器 C.C
根据《标准》,以下哪项内容是对应有的职业审慎的最佳阐述?()A.内部审计师应
传染性非典型肺炎的主要传播途径是( )。A.水 B.体液 C.飞沫 D.
溶液法中,欲提取麻黄碱和伪麻黄碱,可利用A.NaHCO3 B.NH3·H2O
急性失血时,最先出现的代偿反应是A.皮肤血管收缩 B.交感神经系统兴奋 C.
患者,男性,62岁,3个月前于街上镶牙,现牙龈疼痛无法咀嚼,查:缺失,有钢丝捆绑
会计人员继续的形式仅有自学。()
根据《劳动合同法》规定,下列情形中,属于劳动合同无效或部分无效的是()。A.以
最新回复
(
0
)